The Curtain With: April 2024

Saturday, April 27, 2024

Phish - 2024-04-21 Sphere, Las Vegas, NV

Notes:

The band took the stage while pre-recorded music similar to Plasma played, before beginning the song. During Ghost, the neon-colored outlines of three giant robots appeared to tower over the band, with their facial expressions varying and their arms and bodies swaying slowly. The three robots were then replaced by one massive robot, with spotlights utilized to make it appear as if beams of light were coming from the robot's eyes, before the original three robots returned for the remainder of the jam. During Divided Sky, the dome became a view of a sea of clouds, with patches of blue sky above. As the clouds moved, their appearance varied from purple sunset hues to dark and stormy, with the movement stopping and all of the color fading during the pause before returning for the rest of the song. Page teased Linus and Lucy at the end of Divided Sky. Trey began Shade on acoustic guitar. During Shade, an eclipsed star was shown behind the band, with its corona of changing colors visible and a silhouette of the band in the center. During Sea of Stars, the dome became filled with a curtain of gold-colored four-point stars, which twinkled and waved in front of roiling clouds. During 2001, the dome became a starfield before being illuminated by replicated images of the stage lights. Mike teased Plasma during Light. During Ether Edge, a string of umbrellas with colored drops trailing beneath were raised to either side of the stage. The umbrellas were lowered again during Piper. During First Tube, the dome again became a starfield, this time with a ring of stars centered above the stage slowly swirling. As the second "verse" of First Tube began, a white vortex appeared in this area. As the stars in its orbit began to become multicolored, the vortex pulled in their light and created flowing, rainbow-hued ribbons that grew as the jam progressed. Prior to More, Trey thanked the production team behind the Sphere shows, and said that he thinks the band will return to the venue. After Slave, the band gathered at the front of the stage to take bows and have a picture taken in front of the crowd.

FLAC24, mp3[V0], 1080p - HERE!

Wednesday, April 24, 2024

Phish - 2024-04-20 Sphere, Las Vegas, NV

Notes:

During Tube, the dome seemed to fill with soap bubbles which reflected the venue and drifted in front of a nebula of changing colors. During Pillow Jets, the view became that of a grassy path through a grove of trees under a starlit sky. Travelling down the path as the jam progressed, the grass and trees became tinged with glowing, multi-colored light, which periodically intensified and erupted from the ground through the branches, creating a firework effect. Trey teased Manteca during Stash. During Mountains in the Mist, the dome made it appear as if the venue was nestled in an evergreen-covered mountain range, with mist shrouding the sky from view. During Taste, the entire dome appeared to become covered in turning rings of Jim Pollock illustrations from the covers of the Live Phish CD releases, rendered in gold and black. During Sigma Oasis, the dome became a cloudscape, with trees, birds and sea creatures made out of bubbling clouds. During Fuego, a spotlight was used to create a silhouette of the band, with the image then recreated across the dome with effects added to make the band appear as flaming shadow people. During Twist, the dome became filled with multicolored letters tumbling before a backdrop of pulsing red circles.

FLAC24, mp3 [V0], 1080p - HERE!

Saturday, April 20, 2024

Phish - 2024-04-19 Sphere, Las Vegas, NV

Notes:

The band took the stage while pre-show music similar to a Free jam played, which continued until they began the song and waterfalls of colored light suddenly cascaded from the top of the dome. During Moma, a moving, 360-degree live shot of the crowd and band was displayed, with psychedelic colors and effects. During mercy, the dome displayed an overhead view of a sparkling ocean, with small birds in pastel colors flying over the water. During Gin, the entire dome became an overhead view of a large wave pool, filled with hundreds of people on food-shaped inflatables drifting and spinning. During the Gin jam, the images of the bathers became blurred and abstract, forming a neon kaleidoscope effect. During Theme, the entire dome became an underwater seascape, with kelp forest, fish, human swimmers, and light from the surface shining down from the top. Theme also contained a DEG tease from Trey. At the start of ASIHTOS, eight jellyfish puppets were raised on each side of the stage, while the dome remained dark. Once the jam began, the light on the dome came up to reveal another underwater seascape, whose plants and fish became luminous as the rest of the light dimmed again. During Caspian, this seascape changed to a view from within the columns and arches of a sunken monument. As YEM began, the entire dome became the view from inside of a car as it entered a "Tunnel of Luv" car wash, with the stage appearing to sit on top of the middle of the dashboard, with the car progressing through the wash as YEM continued. Trey's YEM solo occurred during the wax and wheel scrub, while the bass and drums segment took place as the car was dried and exited the wash. Suddenly the car view was gone, and it appeared that the dome was clear, with a puppy licking licking it from the outside, in slow-motion, for the duration of the vocal jam. During Velvet Sea, the dome appeared to be covered in flowing red velvet, with photographs of the band throughout the years appearing and disappearing among the fabric. By the end of the song, the entire dome was covered in photos.

FLAC24, mp3 [V0] & 1080p - HERE!

Friday, April 19, 2024

Phish - 2024-04-18 Sphere, Las Vegas, NV

Notes:

The band took the stage while the pre-show electronic music continued. During Back on the Train, psychedelic images of passing countryside were displayed behind and above the band, rotating in opposite directions in different sections of the dome. During Maze, psychedelic live images of each band member appeared, stacked on top of each other. These images then fragmented and spread out, dancing and turning throughout the jam. During Leaves, several giant paper lanterns appeared, flanking the stage, while the dome showed a multitude of paper lanterns floating over water, with the moon shining above. During Life Saving Gun, the dome displayed stacks of old-style televisions with rabbit ears, with each television showing a live shot of one of the band members. These TVs moved and rotated as the jam progressed. After the song, Trey said that he "loves any song with a Jon Fishman percussion rinse," and told the crowd they should see the Sphere from the stage. During Dirt, the dome showed a forest view, looking upwards through trees at a purple-hued sky. During Tweezer, a field of multi-colored cars appeared behind the band, changing in size and shape and with their headlights blinking on and off in patterns, while other cars drove past overhead. My Friend, My Friend included live spotlight silhouettes of the band members projected across the entire dome. The projections during Mike's Song made it seem as if the venue was outdoors, with the band playing in front of a body of water with a rotating sculpture on the far shore. During Lifeboy, the sun went down and a number of other rotating sculptures lit up in the sky, creating a golden star-scape. The sun then rose again during Weekapaug. Farmhouse featured Trey on acoustic guitar, as well as images of a farmhouse in a field under a night sky filled with stars and aurorae.

FLAC24 & 1080p - HERE!