Tracklist
1. JuJu (Live) (08:18)
2. Devika (Live) (06:55)
3. 50 Ways To Leave Your Lover (Live) (09:27)
4. On a Misty Night (Live) (07:44)
5. Alhambra (Live) (09:51)
6. All In My Mind (Live) (08:20)
7. Up Jumped Spring (Live) (05:57)
At 75 years old Smith still reigns as a master of innovation and experimentation. He may have been away from Blue Note for 46 years, but he perfectly fits in with the current mission of label president Don Was to present the future movements of jazz as well as honoring those who forged the tradition. “Dr. Lonnie Smith returns to the Blue Note label with an album that reveals the enduring appeal of organ soul,” raved The Wall Street Journal in a 2016 review of Evolution, adding that the album “showcases a variety of organ-soul stylings [and] demonstrates the versatility and currency of the style.”
A connoisseur of groove and a consummate showman, Smith wanted to record All in My Mind in a live setting because, as he says, “It’s so hard to capture what I’m feeling at the moment in the studio. Hearing me live is catching me playing in the moment. It’s a good vibe. It’s a loving situation.”
“My group is a brotherhood, a dedicated family,” Smith says of his trio with guitarist Jonathan Kreisberg and drummer Johnathan Blake. “They are the heartbeat of the music. They know what I’m trying to do, and they enhance what I play. I play in the moment all the time, and they adjust and are there for me.”
All in My Mind opens with a powerful rendering of Wayne Shorter’s “JuJu” from the saxophonist’s 1965 Blue Note album of the same name. Smith also takes Paul Simon’s hit “50 Ways to Leave Your Lover” for a 10-minute joyride with drummer Joe Dyson taking a turn behind the kit, and reworks his own vintage composition “All in My Mind” which features the amazing vocal range and spirit of Alicia Olatuja.
Smith reflects, “You play life, you tell your story. I know who I am, and that means so much.” As for his return to Blue Note, he singles out Don Was who produced Evolution and All in My Mind. “I’ve worked with producers who don’t understand the musicians they’re working with. But Don wants me to be myself, he understands and respects creativity. It’s a reminder of the old days when Frank Wolff used to be the same.”
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